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<p><font size="-1">(Page 5 of 5)</font><p><p><p>
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Perfectionists often don’t play well with others, but Gilligan seems eager to accommodate everyone with an idea. It’s a running joke in the cast, the disconnect between Gilligan the person and Gilligan the writer. The former is sweet-tempered and polite; the latter strapped a character’s severed head to a tortoise, which was then rigged with explosives and blown up as D.E.A. agents swarmed around it. </p>
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During a break in the shooting, I asked Gilligan if, now four seasons into his show, he could explain the gulf between his manners and his material. </p><p>
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“I’m not the happiest person,” he said. “But I respect this crew and these actors. I try to be as cheerful as possible. I fake it pretty well.” </p><p>
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Well, a lot of people can fake cheerful. But how does such a benign-seeming person come up with such malign tales? Gilligan thought for a moment, then quoted Flaubert. “I’m not going to get this exactly right, but it’s something like, ‘You should be neat and orderly in your life so you can be violent and original in your work,’ and there’s something to that,” he said. “It’s fun to explore that darkness and that criminal behavior on the page, but I’m too timid to do it in real life.” </p><p>
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The pilot of the show opened, memorably, with just such a burst of darkness and violence: Walt driving that R.V. through a desert in a crazed dash, wearing nothing but tighty-whitey briefs and a gas mask. Two male bodies roll in a soup of liquid, broken beakers and cash in the cabin. Cut to three weeks earlier. Walt is a regular schlub, in an unremarkable house, on his way to a mundane job. Gilligan slyly signals his overarching theme when Walter stands before his class and tells his students, “Chemistry is . . . well, technically it’s the study of matter, but I prefer to see it as the study of <em>change</em>.” </p><p>
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When you give your lead character a terminal illness, usher him into the underworld and embroil him in ever bolder and more ambitious criminal plans, you create a man who is rushing toward the ultimate change — from being alive to being dead. Walter White is surely the most doomed character on television, meaning that, just as “Breaking Bad” is finally winning acclaim, the end of the series is in sight. Which is just fine with Gilligan. He can imagine a fifth season of “Breaking Bad,” but that’s it. </p><p>
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Driving to the set after lunch one day, he told me that Walter White had started off as a person he could imagine chatting with over a beer. </p><p>
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“Now he’s not quite at the point where I’d cross the street if I saw him coming,” he said, with a smile. “But I wouldn’t want to be stuck in an elevator with him too long.” Plotting Walt’s transgressions has proved wearying enough. “It’s hard to write a character that dark and morally ambiguous,” he said. “I’m going to miss the show when it’s over, but on some level, it’ll be a relief to not have Walt in my head anymore.” </p><div id="pageLinks"><a class="previous" onClick="s_code_linktrack('Article-MultiPage-Previous');"
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<p>David Segal is a reporter for the Business section of The New York Times. His most recent article in the magazine was about the New York Cosmos. Editor: Adam Sternbergh (a.sternbergh-MagGroup@nytimes.com)</p> </div>
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<h3><a href="http://www.nytimes.com/2011/07/21/opinion/l21dialogue.html">A Dialogue on the Murdoch Fallout</a></h3>
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<p class="summary">Readers are invited to continue the conversation about the parliamentary inquiries into Rupert Murdoch’s media empire.</p>
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<a href="http://www.nytimes.com/2011/07/21/greathomesanddestinations/in-germany-minimalism-gives-way-to-transparency-on-location.html"><img src="http://i1.nyt.com/images/2011/07/21/greathomesanddestinations/21moth-location/21moth-location-moth.jpg" alt="In Germany, Minimalism and Transparency" width="151" height="151" /></a>
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<h6 class="headline"><a href="http://www.nytimes.com/2011/07/21/greathomesanddestinations/in-germany-minimalism-gives-way-to-transparency-on-location.html">In Germany, Minimalism and Transparency</a></h6>
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<a href="http://www.nytimes.com/2011/07/21/arts/design/wilders-plan-for-slavery-museum-may-have-ended.html"><img src="http://i1.nyt.com/images/2011/07/21/arts/21moth_slavery/21moth_slavery-moth.jpg" alt="Tax Bills Imperil Slavery Museum" width="151" height="151" /></a>
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<h6 class="headline"><a href="http://www.nytimes.com/2011/07/21/arts/design/wilders-plan-for-slavery-museum-may-have-ended.html">Tax Bills Imperil Slavery Museum</a></h6>
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<h6 class="kicker"><a href="http://www.nytimes.com/pages/opinion/index.html">Opinion »</a></h6>
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<h3><a href="http://www.nytimes.com/roomfordebate/2011/07/20/presidents-and-their-debts-fdr-to-bush">Presidents and Their Debts</a></h3>
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<p class="summary">In Room for Debate, David Kennedy, Richard Reeves and other historians offer lessons from F.D.R. to Bush.</p>
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<a href="http://www.nytimes.com/2011/07/21/arts/music/the-yankees-a-summer-symphony-in-9-innings.html"><img src="http://i1.nyt.com/images/2011/07/21/arts/21moth_artofsummer/21moth_artofsummer-moth.jpg" alt="Music of the Spheres" width="151" height="151" /></a>
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<h6 class="headline"><a href="http://www.nytimes.com/2011/07/21/arts/music/the-yankees-a-summer-symphony-in-9-innings.html">Music of the Spheres</a></h6>
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<a href="http://www.nytimes.com/2011/07/21/fashion/the-hotelier-vikram-chatwal-finds-himself-in-a-good-place.html"><span class="img" src="http://i1.nyt.com/images/2011/07/21/fashion/21moth-vikram/21moth-vikram-moth.jpg" alt="Hotelier, in a Good Place" width="151" height="151" /></a>
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<h6 class="headline"><a href="http://www.nytimes.com/2011/07/21/fashion/the-hotelier-vikram-chatwal-finds-himself-in-a-good-place.html">Hotelier, in a Good Place</a></h6>
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<a href="http://www.nytimes.com/pages/opinion/index.html">Opinion »</a>
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<a href="http://opinionator.blogs.nytimes.com/2011/07/20/so-long-salon/"><span class="img" src="http://i1.nyt.com/images/2011/07/21/opinion/21moth_townies/21moth_townies-moth.jpg" alt="Townies: So Long, Salon" width="151" height="151" /></a>
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<h6 class="headline"><a href="http://opinionator.blogs.nytimes.com/2011/07/20/so-long-salon/">Townies: So Long, Salon</a></h6>
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<a href="http://www.nytimes.com/pages/fashion/index.html">Fashion & Style »</a>
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<a href="http://www.nytimes.com/2011/07/21/fashion/once-shocking-hair-in-bright-colors-turns-conservative.html"><span class="img" src="http://i1.nyt.com/images/2011/07/21/fashion/21moth-skin/21moth-skin-moth.jpg" alt="‘Shock Locks’ Leave Punk Behind" width="151" height="151" /></a>
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<h6 class="headline"><a href="http://www.nytimes.com/2011/07/21/fashion/once-shocking-hair-in-bright-colors-turns-conservative.html">‘Shock Locks’ Leave Punk Behind</a></h6>
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<a href="http://www.nytimes.com/pages/national/index.html">U.S. »</a>
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<a href="http://www.nytimes.com/2011/07/21/science/earth/21river.html"><span class="img" src="http://i1.nyt.com/images/2011/07/21/us/21moth_river/21moth_river-moth.jpg" alt="Warm Water Fish The Watershed Ahead" width="151" height="151" /></a>
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<h6 class="headline"><a href="http://www.nytimes.com/2011/07/21/science/earth/21river.html">Warm Water Fish The Watershed Ahead</a></h6>
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<h6 class="kicker"><a href="http://www.nytimes.com/pages/opinion/index.html">Opinion »</a></h6>
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<h3><a href="http://opinionator.blogs.nytimes.com/2011/07/20/where-ignorant-armies-clash/">Disunion: Where Ignorant Armies Clash</a></h3>
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<p class="summary">A play-by-play of Bull Run, the first major battle of the Civil War, by Gary Gallagher.</p>
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<a href="http://www.nytimes.com/pages/garden/index.html">Home & Garden »</a>
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<a href="http://www.nytimes.com/2011/07/21/garden/in-virginia-a-house-built-on-trust-on-location.html"><span class="img" src="http://i1.nyt.com/images/2011/07/21/garden/21moth_location/21moth_location-moth.jpg" alt="In Virginia, a House Built on Trust" width="151" height="151" /></a>
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<h6 class="headline"><a href="http://www.nytimes.com/2011/07/21/garden/in-virginia-a-house-built-on-trust-on-location.html">In Virginia, a House Built on Trust</a></h6>
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